Our journey with The Everybody Club continues—now with a very fortunate twist! The book has been relaunched by Amicus Ink. Linda and I are thrilled. How did this come about? Nearly two years ago, in November 2022, I applied for a short-term copywriting gig with Amicus (located in Mankato and distributed by the Creative Company). I included a variety of EC content in my portfolio. The editor looked the book up on Amazon and had some nice things to say. I was touched that she would take the time to look at EC, and I sent her a PDF so she could see the entire book. The very next day I received this note:
Mind. Blown. The day after that, Linda and I met the editor on Zoom. And within a couple of weeks, we had a contract.
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My white squirrel died. Of course it wasn’t my white squirrel. It belonged to the neighborhood. And oddly enough, it wasn’t even the first white squirrel—there was another one before it. I live in an 1892 brownstone apartment building in one of the older neighborhoods in St. Paul. When I moved here four years ago, one of the things that charmed me the most was the white squirrel who lived in the ash trees in front of my building. Every time I spotted that bobbing bit of white, I felt that good things were on the way. There’s a deck at the back of my building, and even though the light isn’t ideal, I’ve had moderate success growing container plants in my little bit of outdoor space. Maybe because they have to try harder, the cherry tomatoes are especially flavorful. The white squirrel must have thought so, too, because I once caught it sitting on the rail, helping itself to my tomatoes as if they were its birthright. One day, heading home from a walk, I saw two white blurs ahead of me. The white squirrel sometimes looked like a plastic bag from a distance, so I assumed there were either two plastic bags blowing around or else the white blurs were my squirrel and one bag. I got closer and realized there were actually two white squirrels. Double the luck! The second squirrel started hanging around more often, and if I got close enough I could tell them apart. The original squirrel seemed older, a bit more bedraggled. And soon I didn’t need to be close to tell them apart. The first squirrel showed up one day with half its tail missing. Whenever I saw it, I tried to maintain eye contact. You’re a scrappy one, I thought at it. Good for you. In early spring this year, I got a glimpse of the half-tailed squirrel and was relieved to see that it had made it through the winter. But that one glimpse was all I got. The squirrel never showed up again. I hope it at least got the chance to enjoy a little spring sunshine on its fur. The second squirrel now became the resident squirrel. And occasionally another white squirrel I recognized from my walks dropped by. This third white squirrel had a bristly tail that looked almost like a toilet brush. Its eyes were darker and it wasn’t as shy. the third white squirrel I began seeing the resident squirrel more often—in the tree branches in front of my window, along the fenceline across the street, in the shady alcove next to the steps. Sometimes it was in the parking lot. Its flat-footed hop seemed different from that of other squirrels, as if its feet were flippers better suited to water than land. My mom loved the white squirrels as much as I did. I regularly reported my sightings to her and sent her pictures. When she visited, she stood by my window and watched for white. This past August, I went for a short walk while she waited for me on the bench in front of my building. When I came back, the white squirrel was out and about, giving my mom her own close-up encounter. Probably because I always stopped to watch it, the squirrel usually paused for a bit to look back at me. I imagined that it recognized me, that it knew I was a friend. In mid-November, on a Thursday afternoon, I returned from a walk and there was the squirrel, just a few feet away. We held each other’s gazes longer than we ever had. The following Sunday morning I saw something white and still beneath the ash tree. I knew it wasn’t a plastic bag. My heart sank and I went to the tree with trepidation, not wanting to see what I knew was there. The squirrel didn’t have any visible signs of injury. Its pink eyes were open. It didn’t look particularly peaceful, nor did it look like it had struggled. It just looked gone. I couldn’t bear the thought of the squirrel being carried away by animals, or remaining there and slowly deteriorating, an object of curiosity and revulsion for passersby. I couldn’t bear the thought of putting it in the dumpster in the alley. I wanted to bury it, but where? I thought about burying it next to the building, but I didn’t have a spade, just a flimsy trowel; and truth be told, I didn’t want my neighbors to wonder about me. And I had to work in the afternoon, so I didn’t have a lot of time to figure this out. My kindhearted friend Sandra gave me my answer. She lives ten minutes away from me and has a house with a yard. She also has a soft spot for animals and has buried a few wild creatures herself. She said I could bury the squirrel beneath her tree. I found a box the right size and lined it with paper towels. With plastic bags on my hands, I placed the squirrel into the box. Its body was already stiff. Sandra had the spade ready and a spot picked out when I arrived. We dug the hole, then opened the box to say goodbye and to give the squirrel a parting gift of cornflakes and pistachios. We placed the box into the ground, covered it with dirt, and marked the spot with pieces of blue pottery. I went on with my day. Six weeks have now passed, and every time I leave my building, I am still keenly aware of the white squirrel’s absence. Those glimmers of delight that punctuated my comings and goings are gone. I keep hoping that the third white squirrel will move into my neighborhood, but so far I’ve only seen it once, blocks away. I’ve been trying to figure out why these white squirrels have meant so much to me. I haven't come up with an answer. All I know is that they did. For Christmas this year, I bought my mom and me tiny figurines of a white squirrel. I placed mine by a pair of Christmas tree candles that my mom made years ago. The figurines are a bit too cute to convey the spirit of the squirrels, but at least they will provide us with a reminder. We will remember that upwelling of gladness that we experienced so often during these past few years. And we will feel lucky. As I write this, we’re on the brink of a widespread winter storm warning. Here in St. Paul, the temperature today has ranged from -5 to -13, and the wind is expected to pick up, creating blizzard conditions and dangerously low windchills. Across the country, weather forecasters have been calling this the coldest Christmas in roughly 40 years.
I’d last used the cutter with laminated vocabulary words and other visuals when I was working as a preschool tutor for Reading Corps several years ago. I remember feeling a delightful sense of teacherly industriousness as I prepared my lessons. I adored the inexpensive laminator I’d picked up at Aldi’s; I loved watching as my flimsy printouts turned stiff and shiny. And the paper cutter never failed me. Slice. Slice. Slice. My dad passed away shortly after my service with Reading Corps ended. This time, when I brought out the paper cutter, my thoughts went back to my own childhood: my dad in the basement, the paper cutter on top of our small pool table, and that distinctive metallic sound as the blade came down and through, down and through. What did he need to cut? He directed the choir and served on the music committee at church, so most likely it had something to do with music. I knew I wasn’t to touch the paper cutter myself. I might hurt myself. It was dangerous. When I watched him make cut after cut, I was awestruck. My dad could do dangerous things. He was precise, deliberate, as he was in all he did—the careful upkeep of the farm equipment, the expertly trimmed trees in the grove, the ledger books that didn’t miss a single transaction. My rectangles piled up. How I wished I could have shared the journey of The Everybody Club with my dad. He would have embraced the message wholeheartedly. He would have been proud of me—not just for making the book, but for helping my friend find a way to celebrate her daughter’s life. For a little while, the paper cutter brought me back to him, and him to me, and we stood there at my kitchen counter, cutting those rectangles together.
Win a hardcover copy of The LAST Day of Kindergarten! To enter, leave a comment on this blog. Tell me something your child, your students, or you yourself learned during this kindergarten school year. It can be a few words or few paragraphs, whatever you like. (Be sure to check back to see what others have shared!) On May 13 I will randomly pick an entry and email the winner to get mailing instructions. Congrats to all graduating kindergartners and their people! YOU DID IT! :) In 2019 and 2020, I taught a few semesters of creative writing at Hennepin Technical College. The best part of the job was being witness to my students' growth. For some students, that growth went beyond a new understanding of elements like plot or description. They learned that the very process of writing can be transformative. One student in particular discovered that writing can heal: "It helps you dig deeper within yourself," she told me. She continued to write after the class ended and has sent me some of her work from time to time. With her permission, I'm posting a couple of pieces here. They deal with sexual assault and its aftermath. Since April is both Sexual Assault Awareness Month and National Poetry Month, I thought this would be a good time to share her work. Darling, You’re Not Alone The definition of the word is unlawful sexual activity and usually sexual intercourse carried out forcibly or under threat of injury against a person's will or with a person who is beneath a certain age or incapable of valid consent because of mental illness, mental deficiency, intoxication, unconsciousness, or deception. There is no word that defines what happens to the survivors when this word is finished. How an agonizing pain tore my limbs apart piece by piece. How I surveyed each piece of my body from head to toe. How I wondered what made my attacker choose me, when did my words no longer matter. How a world that was so full of bright colors became the same shade of gray. My mind and spirit were shattered as if they were made out of glass. My solid foundation was nothing to this demon that was forced upon me. My body gave up, stopped fighting the war within my mind. My body and I slipped away into a comatose state where I merely existed in the world. I was stuck in a crippling depression, stuck in time. I was standing still on the sidewalk on a busy day in the city, thinking I would rather die. I would lie on my bed covered with several blankets to hide my body away. In my mind I was screaming, but my voice was a whisper lying that I was fine. Bathing became a tortuous event that took all life and energy out of me. I couldn’t erase the unclean feeling. How does one clean something that is not dirty on the outside? I couldn’t stand to be touched, not even by my own hand. How could I be the mother I wanted to be if no one could touch me? My children’s bathtub toys all around the edge of the tub. Somehow when I went to work I would shove it all away--my feelings of shame, disgust, fear, pain, numbness, anger, confusion, and loss. Others described my strength and courage as amazing, but some days I had no strength or courage at all. I crumpled against the floor where I would lie and cry. I’d let my fear consume me until I couldn't bear it and I would call out for help. The voices on the other end of the line would always greet me with compassion, empathy, and became my light in my darkest moments. It felt like those voices were right next to me, protecting me in my weakened state. Those voices walked me through the hardest parts of processing what had happened to me. Healing from this word is not a straight line like a lot of people picture it. It’s rather a rollercoaster at night. Sometimes you see light and know what is to come. Other times it’s like you went backwards and you're in the dark again. In those dark moments, I could hear their voice replaying in my head. They encouraged me to keep going but assured me that it was okay to take a rest, too. Giving up, though, wasn’t an option, not if I wanted to get better. Because of them, I found that my voice, too, had strength and power to help myself and others like me. Do not lose hope, for those darker moments do get easier and they come less and less often. Things you felt you lost will come back. But you need to choose to heal. I hope that you hear me when I say that you are not alone in the battle. If you need someone to be your light and voice on the other line, I pray that you reach out. Darling, you're not alone in the battle. Your strength will shine even brighter than before.
I recently had the privilege of visiting with U.S. elementary students living in Europe. I offered them a couple of writing prompts (from my Weird Things collection, of course) and wow, did their imaginations take off! The students whose work is posted here went "above and beyond," according to their teachers. Enjoy! The first group of students wrote in response to this snow globe. |
by Linda Hayen Before I approached Nancy about the Everybody Club book idea, I had found a couple of the original badges that Carissa made years ago. We used these as inspiration during the process of creating the book. As we worked on the book off and on from May 2013 until March 2020, more memories about Carissa’s club gradually came back to me. I knew there was more memorabilia somewhere; I just didn’t know where. Then I moved. And I finally went through all of the boxes of Carissa’s things that had been sitting in the basement for 20 years. About halfway down a large box of school papers and projects, I found them: Carissa’s original documents for her club. |
pin, motto, club colors, flag, membership card, and oath
club song, badges, and awards
Todd's attendance records
My first thought was that it was unfortunate I had not found these things earlier, but I quickly realized it was all good. In fact, it seemed like a sign from Carissa to keep going. And Nancy was happy and relieved that the book aligned so well with Carissa’s ideas.
We hope that the guidelines Carissa made for her own club so long ago will provide inspiration for lots of future Everybody Clubs!
Around the time The Everybody Club came out last spring, Linda moved to a new home. In the process of packing, she discovered a treasure trove of her daughter’s writings about the club that was the inspiration for our book. Here, directly from Carissa, is the Everybody Club’s motto:
I love that Carissa included the word “learn” in this motto. What a powerful word that is! It suggests growth, openness, positive change.
In the process of making The Everybody Club, Linda and I learned a lot. We learned that there can be many solutions to the same problem. We learned that sometimes we had to let things go. We learned that patience is essential. But the most important lesson we learned had to do with the book’s cover.
Almost as soon as the book came out, we realized we’d made a mistake. The white characters were much more prominent than the characters of color—which didn’t represent the theme of the book at all. The excitement of launching The Everybody Club was replaced with a heartsick feeling that stayed with me for weeks.
How could I have let this happen? (I say “I” and not “we” because I was the one with experience in children’s publishing. This was on me.) While there are no excuses, there are reasons, and I think it’s useful to fully explore those reasons in order to prevent such mistakes in the future. First, the main image was pulled from an interior spread that included many characters. In its entirety, the image did show diversity, and I must have projected that idea onto the cover image. |
I’m sure that decision fatigue also played a part. We went through so, so many revisions of The Everybody Club, feeling our way through the process—not only with creating the book itself but also with the byzantine maze of independent publishing.
But if I had done one simple thing, we could have avoided this situation. If I had made a conscious decision to see the cover through the eyes of our readers, all of our readers, I would have seen at a glance that the white faces formed an unbroken arc in the center of the cover, and that’s what the eye was drawn to.
I didn’t make that conscious decision, though. I took for granted that I could trust my instincts. In other words…white privilege.
White privilege says that a white person can assume that the world is a certain way, that this view is the norm, and that anything else can be measured against it. But, of course, this assumption is unfair, hurtful, and not rooted in reality. White privilege is a distorted lens. I knew that, and I should have consciously, intentionally, mindfully chosen a different lens. I didn’t.
Linda and I decided that it was necessary to replace the cover. We wanted to feel good about The Everybody Club, to have a clear conscience and to know in our hearts that we had put in our best effort. It hasn’t been easy. While Yana Zybina, the illustrator, readily agreed to make a new cover illustration, scheduling conflicts and illness caused many delays. Then we faced myriad challenges uploading the revised files to IngramSpark and KDP.
But we did it. Here, at long last, is our new cover.
Carissa got it right: Include Everyone, Learn, and You’ll Have Fun.
Once in a while, a project drops into your lap that is the perfect fit. That happened to me with Lilac Dreams, a book of poetry that was created as a memorial to its author, Sara Kovar.
Sara passed away unexpectedly this past February at the age of 70. She had written poetry most of her life. Although she’d shared some of her poems with friends and family, she had never seriously sought publication. Her husband, Pat, wanted to collect her work into a book and offer it as a gift to the people who had reached out to him after her death.
I didn’t know Pat and Sara, but they were friends of Linda Hayen, my co-author on The Everybody Club. Linda’s husband gave my name to Pat. After Pat and I talked on the phone, we decided to move forward. The timing was good for me (Covid having put a damper on other opportunities), but more than that, I was drawn to the idea itself. I found it touching that a grieving husband would want to honor his wife in this way.
During the process of selecting, organizing, lightly editing, and proofreading, I developed a relationship with her work. Certain phrases, images, cadences are now embedded in my mind—and they are every bit as useful and important as anything I’ve read in a college textbook or literary magazine. I feel fortunate that I had the opportunity to work so closely with Sara’s poems. Sara wrote poetry for more than 50 years, just for its own sake. And that’s enough.
With Pat’s permission, I am sharing some of the poems that I found especially meaningful.
The next poem, "We Will See Better Days, is as optimistic as "Nightmare" is bleak. It portrays a moment of hope inspired by a song. I think most of us have had that experience: a sudden surge of emotion brought on by hearing a particular song at a particular moment.
"I'll kiss the winters from your eyes..."
So beautiful.
Lilac Dreams is divided into three parts, and each part opens with a collage of pictures relating to the poems that follow. Design-wise, this made the book a lot more complicated (so many decisions!), but we thought readers would appreciate this personal connection to Sara.
This one pulls back the curtain in a raw and powerful way. I wish I didn't relate to this poem so strongly, but I do.
I love the simple, vivid imagery in this poem.
I've reached an age at which it's all too easy to look back and see all the things I did wrong. This poem offers acceptance and peace.
Sara was a science fiction fan. (One of the poems in Lilac Dreams is a tribute to Leonard Nimoy, who played Mr. Spock on Star Trek.) As soon as I read this poem, I knew I wanted it to be the closing poem in the book. I don't know if she intended it to be about life after death or if she was sharing a pleasant daydream about traveling in space, but I love the sense of freedom and adventure and hope she conveys.
In "Summation," Sara wrote, "It is up to those we leave behind to provide meaning to our days." It has been a privilege to help Pat do just that.
Nancy Loewen
is a children's book author, editor, tutor, mom of two adult children and one feisty cat, and collector of weird things.
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